How to Write a Short Story - Grimdark Edition

How to Write a Short Story

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Introduction: What Makes a Short Story Grimdark?

A story is grimdark when the writer uses worldbuilding techniques to create a bleak setting where flawed, morally grey characters play out their lives. Your protagonist and other characters move through a harsh world where good people do bad things and bad people sometimes win. Despite the dark undertone, hope plays a vital role in your story. It keeps readers invested, even though the situation seems bleak. When hope gets used sparingly, its impact is amplified when it happens.

The genre challenges the social norms of who’s considered a hero and villain, instead painting both sides in shades of grey. A strong grimdark plot makes the reader think, “This person is hard to love, but I understand them. I see why they make the choices they do.”

Who will enjoy grimdark short stories?

Grimdark isn’t for everyone. It appeals to readers who crave realism, moral complexity, and stories that actually make them think. It’s perfect for intellectuals who are tired of idealised heroes, neat moral lessons, and predictable outcomes. People who prefer characters and worlds that feel raw, human, and brutally honest.

This guide will explain how to write a short story in the uncompromising spirit of the grimdark genre.

Step 1: Figure Out What Your Short Story Embodies

Just like any good short story, the best grimdark writing has a message it wants the reader to consider. When it comes to grimdark storytelling, this message isn’t necessarily negative, but instead some uncomfortable truth that society refuses to acknowledge. Below are a few examples:

  • Power can corrupt even good people.
  • Even flawed people can become heroes.
  • Morality has a strong relation to societal systems.
  • It’s hard for people to escape their nature.

The key to writing a powerful grimdark short story is to start with a moral question that even you struggle with. Let that dilemma become the foundation of your story. The strongest grimdark tales are the ones where readers can feel the writer wrestling with the idea themselves. Pushing into the black, the white, and every uncomfortable shade of grey in between. That internal conflict gives the story its edge and makes the moral ambiguity feel real rather than forced.

Step 2: Wireframe Tour Short Story

Before you start writing, you need a clear sense of where your grimdark journey begins, where it ends, and the major turning points that will drag your reader through the mire in between.

The essence of your story (what it’s really about beneath the blood, mud, and broken morality) becomes the backbone of this wireframe.

As you outline, decide how you’ll deliver that message in a way that feels creative, coherent, and unmistakably grimdark.

At the beginning, let the reader dip their toes into the problem. Just enough to sense that something is wrong beneath the surface. By the midpoint, they should be submerged to the shoulders, feeling the weight, the dread, and the rising stakes. And by the end, they should crawl out the other side, battered, wiser, and able to look back at the ordeal with a sense of grim clarity.

A strong wireframe should ensure the journey feels deliberate, even when the world you’re writing is anything but kind.

Step 3: Start With a Brutal Hook

Every great grimdark short story starts with a dark hook. An opening phrase that sets the tone and pulls the reader into the bleakness of the world. Mark Lawrance does a great job in his book Prince of Thorns, where he drops the reader into the story right after the main character, called Jorg Ancrath, brutally burns down a village. Here is the first paragraph of the book:

“Ravens! Always the ravens. They settled on the gables of the church even before the injured became the dead. Even before Rike had finished taking fingers from hands, and rings from fingers. I leaned back against the gallows-post and nodded to the birds, a dozen of them in a black line, wise-eyed and watching.”

Why this hook works:

  1. Instant conflict: The scene begins in the middle of brutality. No setup, no safety net.
  2. Immediate character definition: We learn who Jorg is not through exposition, but through his ruthless actions.
  3. Worldbuilding: The burning village shows the lawlessness and savagery of the world without any explanation needed.
  4. A moral punch in the gut: The protagonist is not a hero. The reader must decide whether to follow him anyway. This is the true challenge of grimdark.
  5. A question is planted: What happened to turn a young boy into this nightmare?

There is no one-size-fits-all approach, and your short story needs its own unique hook. The only standard is that it should grab the reader’s attention immediately and set them up for what’s to come. It’s your story’s first chance to make a good impression. Or a bad one.

Step 4: Write Your First Draft

The next step is to write, write, write. No more planning and procrastinating, it’s time to get the story out of your head and onto the page. Don’t worry about perfection for now. Let it be messy. It’s okay to make grammar or structural mistakes during this phase. Even word count can be ignored up to an extent. There will be plenty of time to fix things later.

There isn’t much advise during this step, except to work towards a deadline and avoid distractions. First drafts are where the grind is most important. If you feel yourself getting stuck, look at your wireframe. That’s why you created it in the first place. To guide you.

Step 5: Review and Improve Your Short Story

Now it’s time to refine your work and sharpen your grimdark story into its final form. There’s no universal method for editing, but this three-pass approach works well:

1. First pass: Fix the surface errors.

Read the story through and correct anything immediately wrong. Grammar slips, spelling mistakes, punctuation issues, and missing words.

2. Second pass: Strengthen the structure.

Reread it with an eye for the bigger picture. Are there plot holes? Awkward transitions? Scenes that slow the momentum or don’t earn their place? Tighten the flow, cut what doesn’t serve the core idea, and make sure you’re within your intended word count.

3. Third pass: Refine the craft.

On your final read, focus on precision. Improve sentence rhythm, sharpen your word choices, enrich your descriptions, and trim any bloated metaphors. This is where the short story gains its edge and becomes quality writing.

Step 6: Get feedback from others.

Writers have blind spots, and the only way to expose them is to let someone else read and critique your work. Family and friends can be a good starting point, but choose people with strong language skills who won’t hesitate to give you honest, constructive feedback. If that’s not an option, there are countless free and paid communities, critique groups, and online platforms dedicated to helping writers improve. And in today’s world, AI tools can also be a valuable source of feedback. Don’t let AI rewrite your entire story for you. You still want your own voice to shine through and learn something new in the process.

Frequently Asked Questions

You can find grimdark story ideas by looking closely at your own life. Think about moments where you faced pressure, made a difficult choice, or saw someone act in a way that surprised you. These authentic experiences often make the strongest foundations for dark, believable fiction. Reading other writers’ work can also spark ideas by showing you what themes and situations resonate with you. If you feel stuck, ask friends or other writers to help you brainstorm. Finally, AI tools are excellent for generating prompts, exploring moral dilemmas, or suggesting twists when you need a fresh direction.

A short story is much more focused than a novel. It usually falls between 1,500 and 20,000 words. A novella sits between a short story and a novel and typically ranges from 20,000 to 50,000 words, giving you more room for character depth and worldbuilding without the full commitment of a long narrative. A novel usually starts at around 50,000 words and can go well beyond 100,000 depending on genre and complexity. How long your grimdark short story should be depends on your goals. Competitions, magazines, and anthologies often set strict word limits you need to follow.

You should write grimdark short stories because they challenge you in ways traditional storytelling often doesn’t. Writing grimdark forces you to step outside familiar heroic arcs and confront real ethical questions, uncomfortable dilemmas, and the darker parts of human nature. It pushes you to think more deeply about motivation, consequence, and morality, which helps you grow as a writer. Grimdark also encourages more honest, complex character work, making your fiction richer and more layered. On top of that, the audience for grimdark is steadily growing, with readers actively seeking stories that feel raw, thoughtful, and emotionally challenging.

Yes. Grimdark stories are not defined by violence. It’s a genre focused on moral and emotional brutality. A story about betrayal, corruption, or sacrifice can feel far darker than a battle scene. What matters is the psychological pressure placed on the characters and the harshness of the world around them. Many compelling grimdark stories rely on quiet cruelty. Broken promises, impossible decisions, or moral compromises that haunt the protagonist. Violence can be present, but it’s optional. What truly makes a grimdark story resonate is how it exposes the darker parts of human nature in a way that feels authentic and uncomfortable.

A grimdark protagonist should be moderately to heavily flawed, but never in a way that makes them impossible for the reader to connect with. The genre works best when the character feels like a real person dealing with real pressures, weaknesses, and emotional wounds. They might be selfish, traumatised, violent, or morally uncertain, but there should still be something in them that sparks recognition or empathy. If they become completely irredeemable, the story loses emotional weight because the reader has nothing to hold on to. The aim is to strike a careful balance, creating someone messy and human, not monstrous for shock value.

Short stories are an excellent training ground for grimdark writers. They force you to focus on clarity, tension, and emotional precision without relying on sprawling lore or extended character arcs. Because grimdark hinges on moral dilemmas, short stories allow you to explore these moments intensely without committing to a full-length book. They’re also easier to revise, finish, and publish. Great for building skills and confidence. Writing short fiction helps you test your voice, experiment with themes, and discover what resonates with readers. Many successful grimdark authors started by mastering the short form before tackling novels.

An impactful grimdark ending concludes the story’s central moral challenge in a way that feels honest rather than convenient. It doesn’t need to offer certainty or a neat resolution, but it should take a clear, thoughtful stance on the dilemma you explored. Grimdark endings are not about shock value or scoring moral points. Instead, they give the reader a meaningful conclusion that reflects the consequences of the character’s choices. A strong ending leaves the reader thinking differently about the original moral question, offering insight or discomfort that lingers. The goal is a conclusion that feels earned, challenging, and emotionally resonant.

Yes, there are plenty of excellent grimdark short stories you can read. The best place to start is GrimWriter, where you’ll find original grimdark shorts explicitly published for readers of the genre.

For published examples, Tor.com hosts several dark fantasy and grimdark-leaning stories, such as Nine Last Days on Planet Earth by Daryl Gregory and The Stone War by Ted Kosmatka.

Author

  • Derick Turner

    Derick Turner writes stories that live in the shadows. His work drags truth into harsh light and leaves the edges rough on purpose. He builds characters who bleed, lie, fall apart, and keep going because they have nowhere else to go. His writing is slow burning, gritty, and rooted in ordinary people facing the kind of darkness they never saw coming. He believes the best stories are the ones that feel a little too real.

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